Tag Archives: sound recording

Total noise cancellation: the Modular Rycote Windshield Kit and the new PCS-Boom Connector

Rycote Modular Windshield Kit blimp

The Modular Windshield Kit Rycote sent me won the 2000 Technical Achievement Award from the Academy of Motion Picture Arts & Sciences. In the 18 years since then, the family-run business hasn’t stopped inventing new products that set the industry standard. The PCS-Boom Connector is the latest example of how Rycote address the problem of unwanted noise; they use a

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Easily reduce wind noise with the Bubblebee Windkiller and Spacer Bubble Kit, two excellent lightweight solutions

bubblebee spacer bubble with furs

I found out about Bubblebee Industries when I was searching for shotgun microphone windshields on the web. They didn’t exactly float to the surface – I had to dig into the results – but I was intrigued by the names they give their products and the design. And so, I asked for test units and got their Windkiller and Spacer Bubble kit.

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Noise be gone: two Deity S-Mic 2 shotgun mics

noide reduction with 2 deity s-mic 2 shotgun microphones

An article from a company that’s active in VoIP, video conferencing, etc and a recording that was ruined because an ambulance and police car drove by made me think about noise cancellation using two microphones instead of complex machine-learning algorithms. Could it be that, if you use two identical microphones with good off-axis rejection, you can achieve better noise reduction?

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How to avoid audio recorded ex-camera to drift from audio in-camera

logic pro x

If you record audio via an external recorder in order to replace the audio your camera captures, you’ll usually need some sort of a synchronisation tool. The simplest is using a clapper, with the second-best using Red Giant’s PluralEyes. But what if the audio your recorder captures drifts out of sync during recording? Why does that happen and how can you avoid it?

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The Rycote USM Kit is a godsend for studio mics

rycote universal studio mount kit

With studio condenser microphones like my favourite sE2200A usually come nice shock mounts. The only problem is that these are heavy and wear out quickly because the shock absorbers are elastic rubber bands. When I saw how well Rycote’s Softie Duo-Lyre Mount with pistol grip handle works with a Deity S-Mic 2 shotgun, I decided to give the company’s InVision Universal Studio Mount Kit a try as well.

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The sE Electronics DM1 Dynamite preamp gives your signal a 28dB noiseless boost 

se-electronics dm1 dynamite preamp

Almost a year ago, I purchased an sE Electronics V7 dynamic microphone, assuming it would be a great microphone to have for creating videos on Youtube or Vimeo. At the time, I didn’t realise I would have to “eat” the microphone or crank up the gain to a whopping 75dB on my Apogee Duet iOS/Mac in order to get a decent signal. As a result, I only used the mic occasionally. A week or so ago, I discovered the DM1 Dynamite preamp on the sE Electronics website that claims to solve exactly this problem.

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How well does a Rycote Softie Duo-Lyre Mount with Pistol Grip kill unwanted sound?

rycote shotgun mic softie with pistol grip

As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.

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