Ripple Tools Complete for Final Cut Pro X promises to give you a full set of effects, most of them based on the title concept of FCP X of which many are trackable. Many effects that you can buy in one plug-in are either so simple you can create them faster using Final Cut Pro X’s built-in tools or so cheesy it hurts your eyes. I’m happy to say neither is the case with Ripple Tools Complete.
I remember buying my first and last Power Mac Pro many years ago. It looked gorgeous, it was blazingly fast and I used it for about eight years. Keep in mind that last figure as I take you on a city trip to the price level of the new Mac Pro and Pro Display XDR.
The people of Hedge, the (mainly video) offloading slash backup app, have acquired Postlab. This will allow them to deliver an efficient and vendor neutral workflow solution very soon.
Since the Omni Group released OmniFocus many years ago, it’s been the most powerful task manager available on the macOS platform. It also used to be fairly complicated. After having read the OmniFocus 3 web page, I decided to give OmniFocus 3 for macOS a try and see how a photographer or video creator could benefit from it.
There are five new text effects and a brand new dashboard in Universe 3.0. I tried the new version with Final Cut Pro X and Motion, and while the dashboard still needs some tweaking, the new text effects were brilliant for enhancing sci-fi and thriller movies.
You can create a mood for a movie with background music, by creatively framing, but first and foremost by using lighting. A scene lit with a greenish tinted light comes across very differently from that same scene lit with a reddish tinted filter.
Camera framing is important. Framing can be used as a powerful means to an end in creating trustworthy or fake news. Not seldom is there a discrepancy between what you think is worth framing for maximum effect and what really counts.
Skylum has just released a Library-equipped version of Luminar and updated the version number in one fell swoop. After playing around with a late beta, I think it’s a decent attempt at making a photo management system and the roadmap promises improvements that will answer most of the professional photographer’s needs.
For special effects like HUDs, graphs that move and text that floats through ballooning organic forms, many blockbuster 3D compositing artists use Yanobox’s Nodes. The FxFactory plug-in for After Effects, Final Cut Pro X, Premiere Pro and Motion has become an industry standard. Nodes 3 is the latest version of the generator, which I tested with the latest version of Apple Motion.
Denver Riddle is a colour grading expert who first developed Color Finale for Final Cut Pro X. His company now comes forward with a next-generation colour grading app and plug-in for Final Cut Pro X, Premiere Pro, and Da Vinci Resolve via the OFX plug-in, Cinema Grade. The new plug-in is a radical step away from traditional colour grading where the artist either needs to control the adjustments via on-screen wheels and sliders or through an expensive control surface. With Cinema Grade, on the other hand, you just mouse-drag colour adjustments in the frame, although you can still control everything by numbers if you want to.