All posts tagged: microphone

DPA Microphones d:vote CORE 4099 instrument microphone used by Daniel Weltlinger

Violinist, composer and producer Daniel Weltlinger is now using a DPA Microphones d:vote CORE 4099 instrument microphone

Daniel Weltlinger – born in Sydney but based in Berlin – composes and plays Gypsy-swing, jazz, Yiddish-klezmer and experimental/free-improvised music. He has long been a fan of DPA’s d:vote 4099 Instrument Microphones, but when one of the two he owns was recently damaged during a live show, he decided it was time to upgrade.

DPA Microphones d:dicate 4018

How to make a 300 EUR S-Mic 2 sound like a 1800 EUR microphone

Many professionals use the d:dicate series microphones because of their accuracy and their silky smooth sound quality. This characteristic is hard to describe but very discernible when you hear it – certainly when you compare recordings done with an MKH 416, an S-Mic 2 and the d:dicate 4017.

Because the price of the d:dicate 4017 is way out of my league, I thought it would be nice to try make the cheapest of the three, the S-Mic 2, closer to the 4017 in post-production, for example by adjusting the EQ.

Rycote Modular Windshield Kit blimp

Total noise cancellation: the Modular Rycote Windshield Kit and the new PCS-Boom Connector

The Modular Windshield Kit Rycote sent me won the 2000 Technical Achievement Award from the Academy of Motion Picture Arts & Sciences. In the 18 years since then, the family-run business hasn’t stopped inventing new products that set the industry standard. The PCS-Boom Connector is the latest example of how Rycote address the problem of unwanted noise; they use a holistic approach. Microphone manufacturers bundle their microphones with basic mounts and that’s it. If it’s a dynamic mic, it’s a plastic clamp. A large diaphragm microphone usually gets a rubber band based shock mount that lasts for a few months before the rubbers start wearing. But anything else – from shotgun to lavalier mics – must do with the simplest of mounts available. Especially shotgun mics, then, need more sophisticated mounting and shock absorption systems, because they’re continuously being manipulated, often mounted on boom poles of some length and subjected to rough handling. And when there’s enough wind blowing, the mic’s interference cancellation slots serve as windcatchers, resulting in blowing and whistle sounds that can …

rycote universal studio mount kit

The Rycote USM Kit is a godsend for studio mics

With studio condenser microphones like my favourite sE2200A usually come nice shock mounts. The only problem is that these are heavy and wear out quickly because the shock absorbers are elastic rubber bands. When I saw how well Rycote’s Softie Duo-Lyre Mount with pistol grip handle works with a Deity S-Mic 2 shotgun, I decided to give the company’s InVision Universal Studio Mount Kit a try as well.

rycote shotgun mic softie with pistol grip

How well does a Rycote Softie Duo-Lyre Mount with Pistol Grip kill unwanted sound?

As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.

deity s-mic 2

The Deity S-Mic 2, a professional-grade shotgun microphone

Youtubers, wedding video shooters, broadcast sound men/women and filmmakers: they all want to record sound with the best possible results. But practicalities such as pricing often stand in the way of reaching this lofty goal. Yet, equipment that exceeds the basic technical requirements – essential to even think about reaching it – is what you’ll need. A microphone is the first and one of the most important links in the chain from the sound you capture to the audio the viewer/listener gets out of their speakers. The results depend on the whole chain, but if you start with a tin can sound because of a low-end mic, you’ll never get to the full and rich sound you’re after.

chord company cream mic cable

Chord Company’s Cream cable for microphones sounds as pure as white

You can buy a 3m microphone cable for €10, but Neumann sells one for €300. Neumann is the German manufacturer whose mics are used in Deutsche Grammophon recordings. The Chord Company doesn’t make microphones, but it knows cables. They make a microphone cable using the same mixture of knowledge, skills and technology as the one they use when making some of the world’s best Hi-Fi audio cables: the Cream cable.