Want to see first hand how good and intelligent the GoPro HERO 7’s stabilisation algorithm is? I accidentally found out when I was in my birth town, driving. I happened to have the HERO 7 mounted on the suction cup mount and this is what I saw when I played the clip in FCXP…
The GoPro HERO 7 Black has a highly effective digital stabilisation system built-in. That is the new GoPro’s unique selling point from which also the smooth time-lapse video is derived. Other novelties include the ability to create HDR shots and a vastly better menu system.
In March of 2018, the Lytro company, the makers of the first light field camera in the world, closed its doors. A large number of its employees were said to have been taken over by Google – who else? – but the company’s demise also was the end of the Lytro cameras. But why did few people buy one?
Rumour has it that GoPro’s HERO6 isn’t selling well and that’s really a pity because this is a very fine action camera. In fact, I thought the HERO5 was pretty amazing until I saw the results the HERO6 can achieve. It’s the action camera we have been craving for.
You can buy any HDMI cable for video recording to an external monitor/recorder equipped with an HDMI-port and it will do just fine, provided it can handle the HDMI specification you’re shooting with. That is undoubtedly true, but the influence of the quality of assembly and an issue with cable management could make you buy an expensive coiled cable. There’s an alternative that works just as good, though, and it’s much cheaper.
German manufacturer Delock makes cables, switches, splitters and adapters for all kinds of usages, including video and audio. I was intrigued by their inexpensive ultra-slim HDMI cable that has the same specifications as Atomos’ coiled HDMI 2.0a cables. A month of a lot of trying out this cable with different monitors and recorders later I’m pretty certain this Delock cable is a great cable if you want to record in 4K/60fps.
The GoPro HERO5 is a lovely action camera with its built-in electronic stabilisation, but if you think it’s going to make your footage perfectly smooth, you’re in for a disappointment. No digital stabiliser currently available can make footage look good when the operator has been subjecting the camera to shocks from walking, running or whatever. A real stabiliser is a must-have for those occasions where you can’t keep the camera still. The Karma Grip has been specially designed to stabilise the HERO5.
Noise is a problem, especially with small-sensor cameras. FxFactory has a new noise reduction plug-in for Final Cut Pro X and Premiere Pro from Crumplepop. It claims to beat noise efficiently, using a simple interface. I compared Crumplepop’s VideoDenoise with Red Giant’s Denoiser III and the older Photon Pro plug-in.
GoPro is such an attractive brand partly because of the abundance of accessories and mounts. Two of the new ones that I find particularly attractive are the HERO5 Black external microphone adapter and the large tube mount.
What good is a video camera slider if it can’t provide rock-solid motion, with no vibrations? And if it does, what can you do about it? By accident I found out there are circumstances the Rhino slider EVO Carbon with its Motion motor creates footage that makes your zoomed-in subject look like a Parkinson patient. This costs time as you need to edit in post-production to get rid of the carriage vibrations. Especially when there’s little weight pressing down on the carriage, vibrations may be a serious problem with any slider. I only know of one slider the developer claims it doesn’t vibrate at all. That’s the Trost slider from Trost Motion. I don’t know if that claim holds true if you would run my very simple test to see if a slider will vibrate. I do know that I have video camera three sliders that all have the vibration problem to some degree. The way I found out was by attaching a GoPro HERO4 to an extension arm you would normally use for carrying a video …