DxO recently released a brand new version of NIK Collection. NIK Collection 2 now includes Analog Efex Pro 2, Color Efex Pro 4, Dfine 2, HDR Efex Pro 2, Sharpener Pro 3 Output and Sharpener Pro 3 Raw Presharpening, Silver Efex Pro 2 and Viveza 2. DxO created over 40 new presets, includes U Point local adjustment RAW editing capabilities and adds support for HiDPI displays — which is interesting for Windows users only.
iZotope today launches Neutron 3, the mix workflow plug-in. Thanks to advances in machine learning, Neutron 3 Advanced is the first-ever plug-in that listens to the entire session, communicating with every track in the mix.
IK Multimedia’s sound and groove workstation has been upgraded to SampleTank 4. The MAX edition comes with a huge library of samples and it has a new sound engine that is much more efficient than the previous version. Furthermore, the interface design is gorgeous.
A high CRI of >95 and a TLCI of >95, and the capability to produce up to 6000lux with 10 levels in-between. Reasons enough to take a closer look at the Aputure Amaran AL-MW.
Creating 3D titles in Final Cut Pro X and Motion is relatively easy, but creating complete 3D scenes is virtually impossible. Motion isn’t After Effects, but with Reelpath’s Eneo3D plug-in it comes very close to offering a one-stop solution to all your compositing needs.
There are five new text effects and a brand new dashboard in Universe 3.0. I tried the new version with Final Cut Pro X and Motion, and while the dashboard still needs some tweaking, the new text effects were brilliant for enhancing sci-fi and thriller movies.
There are a lot of ways to add callouts to footage, but callouts that follow motion require plug-ins with a tracking mechanism. So far, I had only tried motionVFX’s mCallouts. These I have always found spectacular but rather limited in their use while the Mocha-driven tracking sometimes drives me up the wall. Now FxFactory has released Tracking Callouts, an Idustrial Revolution plug-in that seems to use point tracking instead of Mocha’s planar tracking and I found that one easier to use.
It’s been a while since I reviewed Alien Skin’s Exposure app, so I took it upon me to give Exposure X4 a good look and what I found was an app that combines strong MAM features with an attractive feature set for adjusting and creatively editing images.
Codex creates digital production workflow tools for independent films, motion pictures, commercials, and TV productions. Within some 30 days after NAB, it will be shipping ColorSynth, a layered colour grading plug-in the Indie market can afford, and Keys, a control surface priced equally affordable.
To create flares in Final Cut Pro X, you can buy a collection of “titles” and by positioning these get more or less what looks like a lens flare. But titles don’t move with the subject causing the flare unless you move them with it, using keyframes. That’s tedious and often not very accurate. In addition, most lens flare offerings don’t even come close to the real thing. MotionVFX created mFlare 2, a plugin that uses the Mocha tracker to bind your lens flare to the subject that you want it to move together with. It’s also pretty close to a real lens flare if you create an “Organic” one.