AI is creeping in on us and photography is one of its favourite applications. Landscape Pro 3 promises to enhance your images with AI, seemingly taking all the creativity and work out of image editing, but looks deceive.
Creating 3D titles in Final Cut Pro X and Motion is relatively easy, but creating complete 3D scenes is virtually impossible. Motion isn’t After Effects, but with Reelpath’s Eneo3D plug-in it comes very close to offering a one-stop solution to all your compositing needs.
There are five new text effects and a brand new dashboard in Universe 3.0. I tried the new version with Final Cut Pro X and Motion, and while the dashboard still needs some tweaking, the new text effects were brilliant for enhancing sci-fi and thriller movies.
There are a lot of ways to add callouts to footage, but callouts that follow motion require plug-ins with a tracking mechanism. So far, I had only tried motionVFX’s mCallouts. These I have always found spectacular but rather limited in their use while the Mocha-driven tracking sometimes drives me up the wall. Now FxFactory has released Tracking Callouts, an Idustrial Revolution plug-in that seems to use point tracking instead of Mocha’s planar tracking and I found that one easier to use.
In March of 2018, the Lytro company, the makers of the first light field camera in the world, closed its doors. A large number of its employees were said to have been taken over by Google – who else? – but the company’s demise also was the end of the Lytro cameras. But why did few people buy one?
For special effects like HUDs, graphs that move and text that floats through ballooning organic forms, many blockbuster 3D compositing artists use Yanobox’s Nodes. The FxFactory plug-in for After Effects, Final Cut Pro X, Premiere Pro and Motion has become an industry standard. Nodes 3 is the latest version of the generator, which I tested with the latest version of Apple Motion.
Animation for anything from presentations to games and goofy Youtube movies is possible with CrazyTalk Animator 3. This, the developer says, is the world’s easiest 2D animation software that enables all levels of users to create professional animations with the least amount of effort, and I agree – up to a point.
To create composites, you need mattes. In Final Cut Pro X, you can create simple mattes out-of-the-box, but for anything more complex than a box or ball shape you really need a bit more power. Lots of power and controls come with Hawaiki Keyer. I reviewed version 3 a while ago and although I’m late in the process – version 4 has been out for some time now – I found version 4 worth the trouble of going through this must-have plug-in all over again.
Turning Final Cut Pro X into a grading application a la Da Vinci Resolve is what Chromatic, CoreMelt’s latest plugin sets out to do. It succeeds pretty well by cramming a lot of functionality into this full-blown colour grading solution. It’s the only plugin that delivers the ability to select colour ranges right in the clip viewer, but to appreciate its power to the fullest, a lowly iMac such as mine won’t do.
Another year, another release of Corel Painter. The new version is packed with new features that guarantee jaw dropping awesomeness. There just seems no limit to Corel’s ambition to develop an application that is meant to create digital art that looks like the real thing. Combined with the newest Wacom Intuos Pro and its amazing natural feel, Painter 2018 is for digital artists to drool over.