RGB and CMYK are two colour modes that differ considerably in their approach towards colour reproduction. I explain how they differ and when you best use one or the other in this downloadable PDF.
When you think of research and writing long documents, you inevitably think of Scrivener. There is an alternative approach, though, in the form of three apps that communicate with each other like you couldn’t imagine. DEVONthink Pro 3, Ulysses and Agenda combine to make a great long-document writing system.
Many professionals use the d:dicate series microphones because of their accuracy and their silky smooth sound quality. This characteristic is hard to describe but very discernible when you hear it – certainly when you compare recordings done with an MKH 416, an S-Mic 2 and the d:dicate 4017.
Because the price of the d:dicate 4017 is way out of my league, I thought it would be nice to try make the cheapest of the three, the S-Mic 2, closer to the 4017 in post-production, for example by adjusting the EQ.
Foley is the name we give to sounds that are created and recorded for usage in movies and other motion picture projects such as TV series, etc. For example, when a scene demands the sound of a galloping horse off-screen, you can suggest it by adding the recorded sound of – you guessed it! – a horse galloping or by recording or creating something that resembles a horse galloping. Those sounds can be created by recording them or creating them with apps such as Logic Pro X, ProTools, etc.
Timing is the brain child of an ex-Google developer. It’s a rare app that’s been made in Europe (Austria) to make it to the hit charts. And it does so for a reason. Timing delivers on its promise to track your activities over time automatically.
The EU Parliament has given its blessing to the new Copyright Directive which aims to strengthen the position of EU-based creators – filmmakers, actors, musicians, journalists and writers – when negotiating with publishers and producers. It should lead to a fairer system of exploitation of their works and performances, but a lot of people, including academics who have reported on this issue, seem to believe the Directive will actually lead to less available content, legal confusion that can be taken advantage of, and more censorship within Europe.