All posts filed under: Pentacles

DPA Microphones d:dicate 4018

How to make a 300 EUR S-Mic 2 sound like a 1800 EUR microphone

Many professionals use the d:dicate series microphones because of their accuracy and their silky smooth sound quality. This characteristic is hard to describe but very discernible when you hear it – certainly when you compare recordings done with an MKH 416, an S-Mic 2 and the d:dicate 4017.

Because the price of the d:dicate 4017 is way out of my league, I thought it would be nice to try make the cheapest of the three, the S-Mic 2, closer to the 4017 in post-production, for example by adjusting the EQ.

bubblebee windkiller

Sounds for video, presentations, timelapses and FX

Foley is the name we give to sounds that are created and recorded for usage in movies and other motion picture projects such as TV series, etc. For example, when a scene demands the sound of a galloping horse off-screen, you can suggest it by adding the recorded sound of – you guessed it! – a horse galloping or by recording or creating something that resembles a horse galloping. Those sounds can be created by recording them or creating them with apps such as Logic Pro X, ProTools, etc.

EU flag with copyright symbol

The EU Copyright Directive and its impact

The EU Parliament has given its blessing to the new Copyright Directive which aims to strengthen the position of EU-based creators – filmmakers, actors, musicians, journalists and writers – when negotiating with publishers and producers. It should lead to a fairer system of exploitation of their works and performances, but a lot of people, including academics who have reported on this issue, seem to believe the Directive will actually lead to less available content, legal confusion that can be taken advantage of, and more censorship within Europe.