Unless you live in a country where art is subsidised in one form or another, your path to profitability as an artist is going to be relatively steep. It will be easier going if you have a degree, earned very high marks and want to work in one of the industries or areas where you can find a position as an employee.
Deity’s S-Mic 2S is a new shotgun microphone with a short interference tube that has the same look and build quality as the larger S-Mic 2. It’s also made of brass, keeping out RF interference, but it’s smaller and much less heavy. The S-Mic 2S (the “S” stands for “Short” or “Small”) is about half as long and weighs less than the S-Mic 2; only 85 grams. The S-Mic 2 was a revelation because it only costs around 350 Euros but has a performance that comes close to that industry standard, the MKH 416. As most shotgun mics, though, it doesn’t handle indoors sound very well due to the inevitable reflection of sound in smaller spaces. Indoors is where the S-Mic 2S shines. It might be not as good at rejecting off-axis sound as its larger brother, but, unlike its family member, does perform much better indoors. In contrast to the S-Mic 2, the 2S also auto-switches between 24V or 48V of phantom power. If 24V is all you have, you can still use it; …
How do you become a professional artist in an age where almost everything we do is challenged by AI-driven generators, filters and what else is there? “Professional” means that you can live at least partly from what you create. If we hold on to that definition of the word, there are many categories of visual artists with some of them earning a lot more than others, so the first thing to decide when you’re thinking about making a career out of art is why you’re doing it and what you’re willing to sacrifice.
Ozone 9, iZotope’s audio mastering plug-in, builds further on its predecessor’s strengths. New features assist newcomers at the art and science of mastering while speeding up the workflow for experienced sound engineers. With services and products that automate the mastering process to a more or less acceptable result breathing down their neck, iZotope has chosen the path of assisted mastering with Ozone which does not exclude the real sound engineer’s personal touch.
Universe, Red Giant Software’s subscription-based plug-in for Adobe After Effects and seven other NLEs and compositing apps, has been updated to version 3.1 and incorporates some interesting new modules.