What is better? An external desk accessory that communicates with your Mac to track the time you spend on tasks and pleasure? Or an app that requires you to start and stop timers, or even an app that captures your activities, catalogues them per your instructions and – when everything’s been set up to your satisfaction — does away with having to start/stop anything yourself?
HoudahGeo 5 is a geolocation app for photos. It has several features that allow you to tag your images with geographical metadata in a number of ways – no GPS tracker needed, even. And it has a helpful interface.
Timing is the brain child of an ex-Google developer. It’s a rare app that’s been made in Europe (Austria) to make it to the hit charts. And it does so for a reason. Timing delivers on its promise to track your activities over time automatically.
If you have OmniFocus 3 for the Mac, I’m sure you’ll have the iOS version as well. If you don’t, here are a couple of reasons why you should.
iZotope acquired Exponential Audio, a small company with important DAW plug-ins to create reverbs and other effects. That company was founded by Michael Carnes, a classical musician and recording engineer, who also created many of the preset effects. It was quickly recognised as a trendsetter in the industry.
They don’t come cheap, VOVOX cables, but then they can’t be, given their build quality and the sound you get out of them. But, as always with cables, the question is whether you hear a difference. I received a test unit of a VOVOX Sonorus direct S and compared it with an ordinary Cordial, an Inco X-Lead, a Mogami Gold Studio and Gold Stage, and a d’Addario Planet Waves ASMC cable.
More or less out of the blue, DEVONtechnologies released its first beta of DEVONthink 3. DEVONthink is what we used to call a “freeform database manager”, which basically means its records can be anything from images to text snippets and complete documents.
The EU Parliament has given its blessing to the new Copyright Directive which aims to strengthen the position of EU-based creators – filmmakers, actors, musicians, journalists and writers – when negotiating with publishers and producers. It should lead to a fairer system of exploitation of their works and performances, but a lot of people, including academics who have reported on this issue, seem to believe the Directive will actually lead to less available content, legal confusion that can be taken advantage of, and more censorship within Europe.