microSD Express offers the PCI Express and NVMe interfaces alongside the legacy microSD interface for backwards compatibility. Like SD Express, microSD Express delivers a maximum data transfer rate of 985MB/s.
Bubblebee’s Sidekick In-Ear Monitors are IFB devices, which are essential parts in a monitoring and cueing system as used by TV, filmmaking, video production and radio broadcast people. They are great monitors for voice recordists too.
A high CRI of >95 and a TLCI of >95, and the capability to produce up to 6000lux with 10 levels in-between. Reasons enough to take a closer look at the Aputure Amaran AL-MW.
Creating 3D titles in Final Cut Pro X and Motion is relatively easy, but creating complete 3D scenes is virtually impossible. Motion isn’t After Effects, but with Reelpath’s Eneo3D plug-in it comes very close to offering a one-stop solution to all your compositing needs.
Which is better, a microphone cable that costs €15 for 10m or one that costs five times as much? And if it’s the latter, then the next question is: will you actually hear a difference?
Apple’s Magic Mouse is a great device, but it’s limited in what you can do with it. You can customise the mouse a bit, but for editing movies with Final Cut Pro X, for example, that customisation falls short. Enter BetterTouchTool, a little software I just discovered.
Since the Omni Group released OmniFocus many years ago, it’s been the most powerful task manager available on the macOS platform. It also used to be fairly complicated. After having read the OmniFocus 3 web page, I decided to give OmniFocus 3 for macOS a try and see how a photographer or video creator could benefit from it.
The Modular Windshield Kit Rycote sent me won the 2000 Technical Achievement Award from the Academy of Motion Picture Arts & Sciences. In the 18 years since then, the family-run business hasn’t stopped inventing new products that set the industry standard. The PCS-Boom Connector is the latest example of how Rycote address the problem of unwanted noise; they use a holistic approach. Microphone manufacturers bundle their microphones with basic mounts and that’s it. If it’s a dynamic mic, it’s a plastic clamp. A large diaphragm microphone usually gets a rubber band based shock mount that lasts for a few months before the rubbers start wearing. But anything else – from shotgun to lavalier mics – must do with the simplest of mounts available. Especially shotgun mics, then, need more sophisticated mounting and shock absorption systems, because they’re continuously being manipulated, often mounted on boom poles of some length and subjected to rough handling. And when there’s enough wind blowing, the mic’s interference cancellation slots serve as windcatchers, resulting in blowing and whistle sounds that can …
There are five new text effects and a brand new dashboard in Universe 3.0. I tried the new version with Final Cut Pro X and Motion, and while the dashboard still needs some tweaking, the new text effects were brilliant for enhancing sci-fi and thriller movies.
I found out about Bubblebee Industries when I was searching for shotgun microphone windshields on the web. They didn’t exactly float to the surface – I had to dig into the results – but I was intrigued by the names they give their products and the design. And so, I asked for test units and got their Windkiller and Spacer Bubble kit.