Sony has just launched the DSC-RX0. It offers the image quality of the Sony RX Series in a robust and ultra-compact housing. The camera offers photo and video capabilities and a waterproof, shockproof and pressure-resistant design. It can also be used in a multi-camera setup, which allows you to create photos, videos or super slow motion pictures from different angles. With a weight of 110 grams and a width of 59 mm, a height of 40.5 mm and depth of 29.8 mm, the RX0 looks like yet another premium compact camera. But this one is different. It has an LCD monitor, can be used to make pictures and videos in rain, underwater or in a sandy or dusty environment. Sony isn’t saying the RX0 is competition with GoPro’s HERO5, but if it is, the RX0 is a GoPro on steroids. The RX0 features Sony’s stacked Exmor RS CMOS image sensor with 15.3 megapixels. It is equipped with a BIONZ X processor and a fixed ZEISS Tessar T 24 mm F4 wide-angle lens. This lens is …
Hahnel’s first entry in the speedlight market has resulted in the release of the Modus 600RT, which has a guide number of 60 and a shortest flash duration of 1/20,000. This flash is sold in three versions: the flash by itself, the flash together with a Viper TTL radio transmitter and finally, two flashes with the Viper TTL. I received the second version to try out the new product.
FxFactory released yet another great plug-in, 3D Video Walls. This plug-in contains a whole bunch of titles that you can create illusory 3D video walls with, based on the videoclip underneath it. If you want to have a dynamic backdrop to show these video walls against as well, you can create a compound clip out of the 3D wall and place that clip on top of another one in the Timeline. The effect is brilliant and the controls allow for virtually endless variations.
Tripod heads come in many sizes and formats. There are heads that enable you to position your camera very accurately, in small degrees and in each of the three dimensions individually, while others allow you to freely move the camera in any direction or angle you want by simply releasing a lever or screw. The latter category includes ball heads. Usually and because they’re made to freely move your camera in all directions, ball heads are not suitable for anything but keeping your camera still when shooting with long exposure times or with heavy lenses mounted. In theory, ball heads would be great for videographers — free movement in all directions is what we think about when shooting a movie. However, ball heads don’t restrict movement at all, meaning you can’t easily keep them level with the horizon either. Unless you’re using a special one, the Uniqball.
Fancy creating a screencast or a presentation involving demos of iPad apps, or a PiP (picture in Picture) video presentation of new software? Then ScreenFlow has been your best option for some years now. Telestream recently released version 7 of the application. It comes with new options, such as text animations, a global media library, multi-pass x264 encoding and more.
The Cactus RF60X flash is a speedlight with a built-in radio transceiver, HSS and stroboscopic capabilities, support for four groups and delay functionality. It’s compatible with the Cactus V6 II, V6 IIs and older V6 flash triggers. Its radio operates in the crowded 2.4GHz radio bandwidth, but it has 16 channels and 999 radio-IDs to choose from to avoid interference.
The Mecablitz 64 AF-1 must be the Rolls-Royce of speedlights. Its quality of build, feature set, controls, sounds it makes — everything oozes quality and professionalism. Made in Germany it says on the box and as cliché that may be, it shows. The Mecablitz 64 AF-1 is as dependable as its beautiful minimal, business-like design suggests. It’s probably a lot better than any camera-brand flash as well.
You can buy any HDMI cable for video recording to an external monitor/recorder equipped with an HDMI-port and it will do just fine, provided it can handle the HDMI specification you’re shooting with. That is undoubtedly true, but the influence of the quality of assembly and an issue with cable management could make you buy an expensive coiled cable. There’s an alternative that works just as good, though, and it’s much cheaper.
A light stand is nothing to get excited about, but the LP605M Convertible 7.5in Compact Light Stand and Monopod is a two-in-one stand, designed to lighten the load for location photographers. It was developed with industrial designer and photographer Eric Au and builds on the popular LP605 Compact Light Stand.
We all know Cactus flash triggers as a cheap alternative for expensive PocketWizard products. The V6 II and V6 IIs (Sony) are not just cheaper but also viable replacements. They also come with unexpected features, including cross-brand TTL, high-powered HSS, stroboscope support, group sequencing and more.